Andrei FășieArt essays and curatorial commentaries
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Poster for Gorjul. Constantin înainte de Brâncuși, exhibition and mural, MadridProjects · 14 October 2026The Gorj. Constantin before BrâncușiThe Gorj. Constantin before Brâncuși is an immersive installation on the living heritage of Gorj, shown in Madrid for the 150th anniversary of Constantin Brâncuși's birth. It brought Oltenian bed covers, wooden pillars from traditional houses and a hand-sewn ie of over 20 square metres into one room, set to reinterpreted old local music.
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Poster for Gorjul. Constantin înainte de Brâncuși, exhibition and mural, Madrid14 October 2026The Gorj. Constantin before BrâncușiThe Gorj. Constantin before Brâncuși is an immersive installation on the living heritage of Gorj, shown in Madrid for the 150th anniversary of Constantin Brâncuși's birth. It brought Oltenian bed covers, wooden pillars from traditional houses and a hand-sewn ie of over 20 square metres into one room, set to reinterpreted old local music.Fig. 5910 October 2026Costin Brăteanu – StratigraphiesI came into contact with the artwork of Costin Brăteanu recently, and while analysing his portfolio, I got the impression of looking at an artistically represented geography. Going further through the artist’s strata, I remembered the concept of palimpsest, which could better describe what I was trying to understand. palimpsest is a manuscript page, parchment, […]Grid of dark cells with pink and white forms, work by Roxana Donaldson4 October 2026Roxana Donaldson – Fertile Knots in „A Feminine Archive of Fear”Roxana Donaldson's exhibition explores fear's feminine legacy through evolving installations, intertwining personal narratives with broader social dynamics.
Articles
Fig. 59Costin Brăteanu – StratigraphiesGrid of dark cells with pink and white forms, work by Roxana DonaldsonRoxana Donaldson – Fertile Knots in „A Feminine Archive of Fear”Quentin Hubert, Ἀθηνᾶ, The Shadow of Minerva, paintingQuentin Hubert – Being vs. Having exhibitionPortrait of Gheorghe Magheru by Diana Zamfir, standing with a sabre in front of a traditional houseGheorghe Magheru – A man among menThe Woman as Cosmos, dreaming and weaving in archaic Romanian cultureThe Woman as Cosmos: Dreaming and Weaving in Archaic Romanian CultureRoberto Diaz, Arte del CaosRoberto Diaz – Schism of Form and MeaningRoxana Donaldson, Pathology as an Affective CartographyRoxana Donaldson – Pathology as an Affective CartographyDiana Marinescu, paintingDiana Marinescu – From Gesture to Grace: The Poetics of the EverydaySilent Still, Zoë Sua Kay, painting of a pink veined leafZoë Sua Kay curated by Andrei Fășie, Silent Still exhibitionSergiu Chihaia, The Remains of TomorrowSergiu Chihaia – The Remains of TomorrowFig. 59Costin Brăteanu – StratigraphiesGrid of dark cells with pink and white forms, work by Roxana DonaldsonRoxana Donaldson – Fertile Knots in „A Feminine Archive of Fear”Quentin Hubert, Ἀθηνᾶ, The Shadow of Minerva, paintingQuentin Hubert – Being vs. Having exhibitionPortrait of Gheorghe Magheru by Diana Zamfir, standing with a sabre in front of a traditional houseGheorghe Magheru – A man among menThe Woman as Cosmos, dreaming and weaving in archaic Romanian cultureThe Woman as Cosmos: Dreaming and Weaving in Archaic Romanian CultureRoberto Diaz, Arte del CaosRoberto Diaz – Schism of Form and MeaningRoxana Donaldson, Pathology as an Affective CartographyRoxana Donaldson – Pathology as an Affective CartographyDiana Marinescu, paintingDiana Marinescu – From Gesture to Grace: The Poetics of the EverydaySilent Still, Zoë Sua Kay, painting of a pink veined leafZoë Sua Kay curated by Andrei Fășie, Silent Still exhibitionSergiu Chihaia, The Remains of TomorrowSergiu Chihaia – The Remains of Tomorrow
The ethics of perception and touch in art and virtual mediumsThe Ethics of Perception and Touch(ing) in Artistic and Virtual Mediums La opt etaje depărtare de lumeEugen Vuțescu – The Aggregation States of MemoryVolta del Mondo, Nicola Samori, oil on copperNicola Samori – Figurate, Desfigurate, Re(con)figurate as a creative processGabriela Tofan, The Immaculate and the Dirty Look exhibitionGabriela Tofan – Discourse About the Dynamics of Shame – The Immaculate and the Dirty Look + Interview with the ArtistPhotograph by Gregory HerpeGregory Herpe – Dragging Romania Away from Hate – Photo by Photo, Interview with French PhotographerElena Ilash, Nothing Stays the Same exhibitionElena Ilash – Nothing Stays the Same, Shapeshifting Times and Timeless Places + Interview with the ArtistZoe Sua Kay, A Margem exhibitionZoe Sua Kay – A Margem, enchanting reality with a crave for intimacy and connection + Interview with the artistAnca Boeriu, Personal Mood Board exhibitionAnca Boeriu – Personal Mood Board, a Space About Time and ReconnectionVolodymyr Tsisaryk, sculptureVolodymyr Tsisaryk – The Gaze WithinThe ethics of perception and touch in art and virtual mediumsThe Ethics of Perception and Touch(ing) in Artistic and Virtual Mediums La opt etaje depărtare de lumeEugen Vuțescu – The Aggregation States of MemoryVolta del Mondo, Nicola Samori, oil on copperNicola Samori – Figurate, Desfigurate, Re(con)figurate as a creative processGabriela Tofan, The Immaculate and the Dirty Look exhibitionGabriela Tofan – Discourse About the Dynamics of Shame – The Immaculate and the Dirty Look + Interview with the ArtistPhotograph by Gregory HerpeGregory Herpe – Dragging Romania Away from Hate – Photo by Photo, Interview with French PhotographerElena Ilash, Nothing Stays the Same exhibitionElena Ilash – Nothing Stays the Same, Shapeshifting Times and Timeless Places + Interview with the ArtistZoe Sua Kay, A Margem exhibitionZoe Sua Kay – A Margem, enchanting reality with a crave for intimacy and connection + Interview with the artistAnca Boeriu, Personal Mood Board exhibitionAnca Boeriu – Personal Mood Board, a Space About Time and ReconnectionVolodymyr Tsisaryk, sculptureVolodymyr Tsisaryk – The Gaze Within
Projects
Poster for Gorjul. Constantin înainte de Brâncuși, exhibition and mural, MadridBanners of Itinerarii și Porți with drawings of traditional gatesBrâncuși Nocturn 2026 banner, open-air film screenings in Bucharest and Târgu JiuPoster of Being vs. Having, Quentin Hubert's solo exhibition at Kulterra, 23 July to 5 August 2026Poster of the National Visual Arts Salon 2026 (SNAV), with the partner logosPoster for the installation O ie cât un sat among yellow flowersPoster of the Little Paris exhibition at the National Museum of Romanian LiteratureInvitation to Roxana Donaldson's solo show Safety First! The Aftermath, curated by Silvia Stoica
14 October 2026The Gorj. Constantin before Brâncuși
17 September 2026Itineraries and Traditional Gates
26 August 2026Brâncuși Nocturn – Bucharest Edition
23 July 2026Being vs. Having
1 July 2026National Visual Arts Salon 2026 (SNAV)
24 June 2026A Blouse the Size of a Village
23 June 2026„Little Paris” Exhibition
19 November 2025Safety First! The Aftermath. Artist and Curator Talk
17 October 2025Lemnul, Pânza și Vorba

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