{"id":168,"date":"2022-06-15T20:49:45","date_gmt":"2022-06-15T20:49:45","guid":{"rendered":"https:\/\/andreifasie.com\/?p=168"},"modified":"2024-04-21T14:23:09","modified_gmt":"2024-04-21T14:23:09","slug":"volodymir-tsisaryk","status":"publish","type":"post","link":"https:\/\/andreifasie.com\/ro\/volodymir-tsisaryk\/","title":{"rendered":"Volodymyr Tsisaryk \u2013 Privirea din interior"},"content":{"rendered":"

\u201eVolodymyr Tsisaryk (n. 1978) este un sculptor ucrainean. A studiat Sculptura Monumental\u0103 \u0219i Decorativ\u0103 ca discipline academice \u0219i a ob\u021binut o diplom\u0103 de master cu onoruri. \u00cen practica sa sculptural\u0103, printre alte materiale, prefer\u0103 bronzul, dar lucreaz\u0103 cu aceea\u0219i siguran\u021b\u0103 \u0219i cu aluminiu, lemn \u0219i piatr\u0103.\u201d<\/p>\n\n\n\n

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Sylph<\/em> – Volodymir Tsisaryk<\/figcaption><\/figure>\n\n\n\n

Sculptorul ucrainean aduce \u00een crea\u021biile sale o dorin\u021b\u0103 de a privi, o frumuse\u021be interioar\u0103 care atrage toate privirile dintr-o \u00eenc\u0103pere \u2013 sau chiar atunci c\u00e2nd lucr\u0103rile sunt \u00eent\u00e2lnite online. Acest magnetism metalic poate fi \u00een\u021beles mai bine dac\u0103 privim c\u00e2teva dintre crea\u021biile sale, precum Sylph<\/em>, Younger Brother<\/em>, Big Brother<\/em>, Power<\/em> sau Salamander Dream<\/em>. Analiz\u00e2nd privirea (sau absen\u021ba ei), putem observa c\u0103 se produce un anumit tip de contact, ca \u0219i cum privirea statuilor ar p\u0103trunde \u00een propria noastr\u0103 fiin\u021b\u0103 sau \u00een actul nostru de contempla\u021bie. Prin acest \u201eregard\u201d, sculpturile construiesc un perimetru clar, care ne face s\u0103 ne oprim, pruden\u021bi, ca \u0219i cum ceva ar putea s\u0103 ne pun\u0103 \u00een pericol.<\/p>\n\n\n\n

Privirea \u0219i absen\u021ba ei<\/h3>\n\n\n\n

Un tip de privire asem\u0103n\u0103toare celei a lui David se reg\u0103se\u0219te \u00een special \u00een seria Big\/Younger Brother, a\u0219a cum se poate observa \u00een fotografii. Aceasta reflect\u0103 o tr\u0103s\u0103tur\u0103 transmis\u0103 de-a lungul istoriei, care continu\u0103 s\u0103 ne provoace curiozitatea: cum poate un obiect ne\u00eensufle\u021bit s\u0103 \u201ene priveasc\u0103\u201d \u00eenapoi? Ne este intimitatea invadat\u0103 de o privire invizibil\u0103 a lucrurilor care ne \u00eenconjoar\u0103? Este suficient ca ceva s\u0103 aib\u0103 forma unui ochi pentru a poseda puterea privirii sau exist\u0103, pretutindeni, un rezervor infinit de ochi?<\/p>\n\n\n\n

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Big brother <\/em>– Volodymir Tsisaryk<\/figcaption><\/figure>\n\n\n\n
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David <\/em>– Michelangelo <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Tsisaryk \u00ee\u0219i marcheaz\u0103 figurile din bronz printr-o privire intens\u0103, care te b\u00e2ntuie \u0219i te urm\u0103re\u0219te mult timp dup\u0103 ce ai p\u0103r\u0103sit \u00eent\u00e2lnirea cu lucr\u0103rile sale. <\/p>\n\n\n\n

Exist\u0103 \u00eens\u0103 \u0219i un alt tip de privire autoreflexiv\u0103, cea care func\u021bioneaz\u0103 in absentia. \u00cen Power sau Salamander Dream, ochii sunt bloca\u021bi total sau par\u021bial, aceast\u0103 obturare nefiind restrictiv\u0103 pentru for\u021ba pe care o manifest\u0103 lucr\u0103rile. Privirea poate fi eclipsat\u0103, dar se produce un meta-efect care ne atrage propria aten\u021bie tocmai asupra acestei lipse a vederii \u00een ambele sculpturi.<\/p>\n\n\n\n

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Salamander Dream<\/em> – Volodymir Tsisaryk<\/figcaption><\/figure>\n\n\n\n
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Power<\/em> – Volodymir Tsisaryk<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Volodymyr Tsisaryk creeaz\u0103 acest efect prin \u0219i \u00een materialele pe care le utilizeaz\u0103, combin\u00e2nd precizia formei \u0219i a conturului cu for\u021ba straniului \u0219i a neterminatului. Aceast\u0103 mixtur\u0103 d\u0103 na\u0219tere unei game ample de reac\u021bii interioare, de la uimire la curiozitate, de la o aur\u0103 inspiratoare la un sentiment subtil de anxietate. <\/p>\n\n\n\n

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Consciousness – Volodymir Tsisaryk<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Tr\u0103g\u00e2nd o concluzie privind crea\u021biile lui Tsisaryk, putem afirma cu u\u0219urin\u021b\u0103 c\u0103 arta sa nu poate trece neobservat\u0103. Modul \u00een care modeleaz\u0103 figurile cu grij\u0103 \u0219i mare precizie, astfel \u00eenc\u00e2t acestea s\u0103 cuprind\u0103 at\u00e2t gra\u021bia, c\u00e2t \u0219i greutatea, ne ofer\u0103 un sentiment de plenitudine.<\/p>\n\n\n\n

Mai mult dec\u00e2t at\u00e2t, Volodymyr Tsisaryk reu\u0219e\u0219te s\u0103 aduc\u0103 \u00een prim-plan o privire care func\u021bioneaz\u0103 ca un centru de greutate al lucr\u0103rilor sale \u2013 un nucleu din care piesele pornesc \u0219i se \u00eentorc asupra privitorilor, lovindu-i cu o intensitate vizual\u0103 puternic\u0103. Acest efect traverseaz\u0103 \u00eentreaga sa oper\u0103 \u0219i contureaz\u0103 o perspectiv\u0103 unic\u0103, pe care artistul o st\u0103p\u00e2ne\u0219te cu rigoare.<\/p>\n\n\n\n

Despre ce este, \u00een esen\u021b\u0103, Tsisaryk? Despre g\u0103sirea unei modalit\u0103\u021bi de a privi un obiect \u0219i de a privi dinspre el \u00een mai multe feluri, priviri care las\u0103 urme ce pot fi aproape sim\u021bite, ca \u0219i cum ar fi prezente fizic. <\/p>\n\n\n\n

Poate c\u0103 este propria noastr\u0103 con\u0219tiin\u021b\u0103 cea care se uit\u0103 \u00eenapoi la noi, obiectiv\u00e2nd vasul \u00een care locuie\u0219te zi de zi. <\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Volodymyr Tsisaryk, 1978, is a Ukrainian sculptor. He studied Monumental and Decorative Sculpture as academic disciplines and earned a Master’s degree with honors. (…). The Ukrainian sculptor brings into his creations a desire for watching, an inner beauty that attracts all the eyes in a room (…). Moreover, Volodymir Tsisaryk manages to bring forth a gaze that puts a gravity center into his artwork(…).<\/p>","protected":false},"author":1,"featured_media":225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,10],"tags":[],"class_list":["post-168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all-posts","category-articles"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/andreifasie.com\/wp-content\/uploads\/2022\/06\/FTlyVzdX0AIkTdS.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/posts\/168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":19,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/posts\/168\/revisions"}],"predecessor-version":[{"id":941,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/posts\/168\/revisions\/941"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/media\/225"}],"wp:attachment":[{"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/media?parent=168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/categories?post=168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/andreifasie.com\/ro\/wp-json\/wp\/v2\/tags?post=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}