arte et facta

The Gorj. Constantin before Brâncuși is an immersive installation on the living heritage of Gorj, shown in Madrid for the 150th anniversary of Constantin Brâncuși’s birth. It brought Oltenian bed covers, wooden pillars from traditional houses and a hand-sewn ie of over 20 square metres into one room, set to reinterpreted old local music.

Itineraries and Traditional Gates (Itinerarii și Porți) is a travelling exhibition on the traditional gates of Gorj and Maramureș, read in dialogue with Brâncuși’s Gate of the Kiss. It brings together two wooden gates carved during artist residences and photographs from fieldwork in Gorj villages.

Brâncuși Nocturn is an open-air film festival on Brâncuși and sculpture, organised by the Docuart Association. Its fifth edition marked 150 years since Brâncuși’s birth. For the Bucharest edition, I curated the film selection and moderated the debate Curator vs. artist with Roxana Donaldson.

Being vs. Having is a solo exhibition by Quentin Hubert at Kulterra in Bucharest, which I curated. It gathers fifteen years of painting around one idea. A person exists before they possess, and what matters most lives in that difference.

The National Visual Arts Salon 2026 (SNAV) was the first edition of a national salon organised by the Bucharest Visual Artists Association (AAPB). I served on the jury.