Projects

14 October 2026The Gorj. Constantin before BrâncușiThe Gorj. Constantin before Brâncuși is an immersive installation on the living heritage of Gorj, shown in Madrid for the 150th anniversary of Constantin Brâncuși's birth. It brought Oltenian bed covers, wooden pillars from traditional houses and a hand-sewn ie of over 20 square metres into one room, set to reinterpreted old local music.

Itineraries and Traditional Gates (Itinerarii și Porți) is a travelling exhibition on the traditional gates of Gorj and Maramureș, read in dialogue with Brâncuși's Gate of the Kiss. It brings together two wooden gates carved during artist residences and photographs from fieldwork in Gorj villages.Itineraries and Traditional GatesBrâncuși Nocturn is an open-air film festival on Brâncuși and sculpture, organised by the Docuart Association. Its fifth edition marked 150 years since Brâncuși's birth. For the Bucharest edition, I curated the film selection and moderated the debate Curator vs. artist with Roxana Donaldson.Brâncuși Nocturn – Bucharest EditionBeing vs. Having is a solo exhibition by Quentin Hubert at Kulterra in Bucharest, which I curated. It gathers fifteen years of painting around one idea. A person exists before they possess, and what matters most lives in that difference.Being vs. HavingThe National Visual Arts Salon 2026 (SNAV) was the first edition of a national salon organised by the Bucharest Visual Artists Association (AAPB). I served on the jury.National Visual Arts Salon 2026 (SNAV)A Blouse the Size of a Village (O ie cât un sat) is an installation I curated for the Docuart Association, launched in Târgu Jiu for Sânziene, on 24 June 2026. At its centre is an ie of about 20 square metres, hand-embroidered with Gorj motifs.A Blouse the Size of a VillageThe Little Paris exhibition (Micul Paris) brought together painting, graphics, photography and decorative art dedicated to interwar Bucharest. It was organised by the Bucharest Visual Artists Association (AAPB) at the National Museum of Romanian Literature. I served on the jury.„Little Paris” ExhibitionSafety First! The Aftermath was a solo exhibition by Roxana Donaldson at Galeria Calea Victoriei 91-93 in Bucharest. At the opening, on 19 November 2025, I moderated an artist and curator talk with Roxana Donaldson and the curator Silvia Stoica.Safety First! The Aftermath. Artist and Curator TalkAn exhibition on the material and intangible heritage of Gorj. Over 300 authentic objects from ten villages sit in dialogue with paintings by Diana Marinescu and Roxana Donaldson, around three themes, wood, cloth and word.Lemnul, Pânza și VorbaNonlinear Dystopias (Romanian Neo-Expressionism) is a group painting exhibition at the Romanian Cultural Institute in Lisbon, with works by ten contemporary Romanian artists. It frames dystopia as an unstable inner condition, not as a linear story of collapse.Nonlinear Dystopias (Romanian Neo-Expressionism)Silent Still is a solo exhibition by Zoë Sua Kay at [A]-Space Gallery in Lisbon, which I curated. Hyperreal close-ups of olive leaves, bougainvillea and resin explore the fragile balance between the resilience of nature and human disruption.Silent StillConfesiuni Congruente was a participatory art installation and show, which I curated with Irina Calu for the Docuart Association. It took place on 9 April 2022 in Ceauru-Bălești, Gorj, and launched a campaign on the emotional needs of children.Confesiuni CongruenteCultural Vandalism (Vandalism Cultural) is an umbrella project for cultural actions across Slobozia, started with Interact Slobozia. It has run every year since 2016.Cultural Vandalism